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FEDERICO DE MICHELIS

vocalist

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Federico De Michelis is a knock-out, perhaps the best voice on stage, as actor and manager Thomas Betterton.”

Houston Chronicle

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ABOUT FEDERICO DE MICHELIS

Federico De Michelis is a vocalist celebrated for his velvety, resonant sound and an onstage presence that blends magnetic warmth with the finesse of a world-class storyteller. After more than a decade performing on some of the most prestigious opera stages across the globe, from the Metropolitan Opera to the Dutch National Opera and the Gran Teatre del Liceu, Federico brings to jazz a rare combination of technical mastery, emotional depth, and an intimate connection to text that has defined his lifelong dedication to the art of singing.

Praised by Opera News as a “singer with a deep-voiced authority,” Federico’s voice lends itself effortlessly to the jazz idiom, the Great American Songbook, Latin American boleros, and contemporary songwriters. His phrasing—shaped by years of immersing himself in character, poetry, and musical nuance—creates performances where lyricism meets improvisational freedom, and where every song becomes a story lived in real time.

Federico’s career has included debuts at the major international venues across Europe and the Americas. His artistic versatility has placed him in wide demand not only for opera, but for symphonic, chamber, and cross-genre collaborations, including works created specifically for his voice.

Born in Buenos Aires and based in Houston, he is also the founder and artistic director of The New Song Project, which commissions new song cycles from emerging composers and writers. A published poet (Texas Poetry Anthology, 2025) and composer with a deep love for Latin American traditions, jazz harmony, and folk storytelling, Federico’s work reflects a lifelong devotion to exploring the full expressive range of the human voice.

Today, Federico stands at the intersection of classical refinement and jazz expression.

A singer whose sound is unmistakably his own, and whose artistry continues to evolve with every stage, every audience, and every story he tells.

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TANGO

Both born in the suburbs of Buenos Aires, Argentina, Federico and Emiliano present a program of Tango and South American music. 

A concert with the melodies, rhythms and verses of the River Plate, through the perfect mix between a powerful but sensitive classically trained voice like Federico's and the exquisite playing of a master tango pianist like Emiliano.

From Gardel to Piazzolla, through Carlos Guastavino and Cole Porter, the duo travels in time and style with ease, taking you on a musical journey to enjoy and experience some of the highest artistic expressions of South America.

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“Bass Federico de Michelis’ Colline steals the show with his last act and melancholy farewell to his worn topcoat.”

Theater Jones

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JAZZ

Federico De Michelis & Ben Clifton 

Two of Houston’s top musicians, vocalist Federico De Michelis and renowned jazz pianist Ben Clifton, join forces in an intimate, story-driven jazz project. Federico’s velvety, resonant voice pairs seamlessly with Ben’s expressive, harmonically rich playing, creating a sophisticated and immersive musical experience.

Rooted in the jazz tradition and shaped by world-class artistry, their performances offer elegant nuance, deep listening, and beautifully crafted interpretations of the American Songbook and contemporary jazz repertoire.

Jazz

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"Divina" - Federico De Michelis & Emiliano Messiez

"Divina" - Federico De Michelis & Emiliano Messiez

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Federico De Michelis - Nourabad - Gran Teatre del Liceu

Federico De Michelis - Nourabad - Gran Teatre del Liceu

01:50
Federico De Michelis - ''El clavel del aire blanco'' - Carlos Guastavino

Federico De Michelis - ''El clavel del aire blanco'' - Carlos Guastavino

03:13
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Opera Actual

''Federico De Michelis consiguió hacer un Nourabad de impecable impostación en toda la gama''.

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''Leporello, Giovanni's majordomo and sidekick, was well drawn by bass-baritone Federico De Michelis, credibly portraying the frustrations with and love for his master, maintaining a sense for self-preservation with good comic timing, resisting an over-the-top performance which could easily come to this character.
His round bass-baritone served him well on his arias – dreaming of being free from the demands of his boss in the recognizable "Notte e giorno faticar" and with the amusing "Catalogue Aria" ("Madamina, il catalogo è questo")''

Miami Artzine

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